Wabi
Sabi by Mark Reibstein is a skillful tale about “a way of seeing the world
that is at the heart of Japanese culture”. The main character is a cat named
Wabi Sabi. This is the story of her journey to learn the meaning of her name. It’s
written with both prose and haiku—in “the haibun form, where short prose
passages set up each haiku.” Reibstein provides backmatter and translations of 14 Japanese haiku that appear throughout the
book.
The
collage art by Ed Young is exceptional. His illustrations are wabi sabi artworks; unfortunately,
they lose a bit of their potency on the flat page. Many thanks to BooksVideosTV for introducing
us to Young, his art, and specifically, an account of how he created art for
this book. The older student and adult will benefit from reading Mark
Mitchell’s blog for more information.
This
magnificent book is read aloud by Read Aloud with Ms Caudle
.
After
reading wabi sabi: the japanese art of impermanence by Andrew Juniper, I
interpreted Wabi Sabi’s journey as representing the tea ceremony. Juniper writes
that participants in the tea ceremony “leave their petty world behind”, perhaps the city
that Wabi Sabi passes through. He
references “livid autumn colors of maple leaves”, which we see in Young’s
illustrations. I now see the wise, old monkey as the tea master. “The perfect
clarity of mind and seamless movements of the master evoke a hypnotic effect in
the participants, who then can become one with the mind and spirit of the tea
master.” (Juniper 40) After the tea ceremony, Wabi Sabi understands the meaning
of her name.
A
little research into haiku reveals controversy over how it’s taught requiring a
specific syllable structure. The English haiku in Wabi Sabi all have the
5 – 7 – 5 syllable form. Translations of the Japanese haiku free readers from
this structure and allow them to attend to on other aspects of the poetry.
My Picture Book Talk for this story is here.